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Cometh the Hour: Book Six Of the Clifton Chronicles, by Jeffrey Archer
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Cometh the Hour opens with the reading of a suicide note, which has devastating consequences for Harry and Emma Clifton, Giles Barrington and Lady Virginia.
Giles must decide if he should withdraw from politics and try to rescue Karin, the woman he loves, from behind the Iron Curtain. But is Karin truly in love with him, or is she a spy?
Lady Virginia is facing bankruptcy, and can see no way out of her financial problems, until she is introduced to the hapless Cyrus T. Grant III from Baton Rouge, Louisiana, who's in England to see his horse run at Royal Ascot.
Sebastian Clifton is now the Chief Executive of Farthings Bank and a workaholic, whose personal life is thrown into disarray when he falls for Priya, a beautiful Indian girl. But her parents have already chosen the man she is going to marry. Meanwhile, Sebastian's rivals Adrian Sloane and Desmond Mellor are still plotting to bring him and his chairman Hakim Bishara down, so they can take over Farthings.
Harry Clifton remains determined to get Anatoly Babakov released from a gulag in Siberia, following the international success of his acclaimed book, Uncle Joe. But then something unexpected happens that none of them could have anticipated.
Cometh the Hour is the penultimate book in the Clifton Chronicles and, like the five previous novels - which were all New York Times bestsellers - showcases Jeffrey Archer's extraordinary storytelling with his trademark twists.
- Sales Rank: #361 in eBooks
- Published on: 2016-02-16
- Released on: 2016-02-16
- Format: Kindle eBook
From Publishers Weekly
This sixth, and penultimate, addition to the Clifton Chronicles series (after Mightier Than the Sword) continues with the Cliftons and the Barringtons in the 1970s—their family fortunes and travails, love affairs, political dramas, business mishaps and espionage entanglements. The story begins with a libel trial and a suicide note, bringing embarrassment and consequences for Emma and Harry Clifton, Lady Virginia Fenwick, and Sir Giles Barrington. Sir Giles, in love with an East German translator, risks everything to bring her over the Berlin Wall and to England, but is she smitten or a spy? Meanwhile, Lady Virginia, Sir Giles's ex-wife, is becoming desperate after having been financially cut off by her father. She victimizes a wealthy, gullible American in an outrageous scam, but the victim's wife is on to her. Emma's husband, best-selling author Harry Clifton, uses his photographic memory and oratory skills to help the world recognize a Nobel Prize-winning, imprisoned Russian author. Emma and Harry's son, Sebastian, still has a messy love life which now turns shockingly violent. Archer continues his storytelling magic to create characters of spellbinding substance, and readers can count on his surprising twists and shocking conclusion. Here, just when the end seems too tidy, Archer provides a killer cliffhanger. (Feb.)
Review
“Archer packs a plot with thrills and chills enough for readers to keep turning the pages, saying, What's gonna happen next?...The conclusion's a turbo-charged cliffhanger that'll have fans screaming Arrrcherr!” ―Kirkus Reviews on Mightier Than the Sword
“[The Sins of the Father] will keep your blood pressure high and you’ll risk back injury just from being kept on the edge of your seat…I guarantee that anyone who takes this book from the shelves will not be able to put it down.” ―The Spectator (UK)
“Archer knows how to dole out tiny crumbs of suspense right up to the last page, which ends with…a really excellent cliffhanger.” ―The Washington Post
About the Author
JEFFREY ARCHER was educated at Oxford University. He has served five years in Britain's House of Commons and nineteen years in the House of Lords. All of his novels and short story collections-including Best Kept Secret, The Sins of the Father, Kane and Abel, and False Impression-have been international bestselling books. Archer is married with two sons and lives in London and Cambridge.
Most helpful customer reviews
20 of 21 people found the following review helpful.
Very easy reading and hard to put down
By Lawrence L. Blacker
Very easy reading and hard to put down. It is nice to see a book where you don't have to wait until the last page for the good guys to prevail. My only complaint about this book is that it did not preface the story with a short summary of what went before like the prior two books did. It took me about 50 pages for me to recall the relationships etc. since the prior book in the series was read a year ago.
32 of 35 people found the following review helpful.
A Subpar Archer Novel
By AProf
*Warning -- Spoilers in review*
I liked the early Clifton Chronicles books, but this last installment is just filled with bad writing, poor characterization, and haphazard plot devices. I've read that Archer had a strict deadline to produce this book, which may go to explain why his writing has suddenly dipped down to such a level. A few examples will help illustrate the book's numerous problems.
#1. The Unlikely 10-Year Old
One of the book's minor characters is the youngest in the Clifton family, a 10 year old girl who speaks with the wisdom and vocabulary of a 60-year old college professor. She also has a remarkable degree of independence and responsibility: she makes reservations at expensive restaurants and buys expensive show tickets and everyone she meets instantly deals with her as though she was 60 years old. At no point does the 10-year old girl act like a 10-year old, and too boot she's a super-genius compared to the idiots surrounding her. For example, when a doctored audio tape shows up and causes a crisis, no one knows what to do until the 10-year old steps in (paraphrasing): "Mom, aren't you good friends with the world's foremost expert on doctored audio tapes? Perhaps he could do a decibel analysis on the voice recording to look for discrepancies?" Mom: "Wow, it never even occurred to me that my good friend the world's foremost expert on doctored audio tapes might be able to help us in dealing with this crisis caused by a doctored audio tape. Thank goodness you are here to save us!" Seriously?
#2 Love interests are introduced and quickly killed for no apparent reason
Seb meets and instantly falls in love with a woman. Predictably, things go badly, but Seb knows that she is the True Love of His Life And Without Her His Life Is Over. In the span of about 20 pages, the two meet, fall in love, he overcomes her reluctance, her parents intervene and kidnap her, Seb jets to India to save her, and then she gets shot and killed. One page later, Seb acts as though this murdered True Love of His Life and Without Her His Life is Over never even existed. She is mentioned only once, in passing, for the entire remainder of the book. What, then, was the point of including the character and the subplot?
#3 Absurd conflicts that are suddenly resolved via Deus Ex Machina
The Farthings chairman has drugs planted on him during a flight and faces a long prison sentence. Now, as readers we could predict that Archer would have him saved via some dramatic plot device at the last moment. But the entire solution takes place off page. A private detective gets hired, and the trial begins with no mention of what the detective has been doing. Then, magically, on the last day of the trial, the private detective finds a previously-unknown stewardess who was arrested on unrelated smuggling charges in a different country. During that unrelated trial that took place entirely off page, the woman confesses to planting drugs on the bank chairman, and the detective (again unseen) manages to discover all of this just in the nick of time. Deus Ex Machina. Another example is the doctored audio tape episode. The tape gets introduced and solved in the span of about 20 pages because one of the minor characters just happens to know the world's leading expert on doctored audio tapes, who then shows up to save the day. In yet another example, Lady Fenwick carries out a far-fetched fake pregnancy scam. How does it eventually get foiled? By a character the readers have never met who, upon hearing the details, and despite never having met Fenwick and being located thousands of miles away, immediately figures out every last detail to the scam.
#4 Supposedly smart characters do stupid things for no real reason
The chairman of Farthings knows it is illegal to carry more than 10,000 pounds sterling cash into the country, but inexplicably does just that. Giles, supposedly a renowned politician and diplomat, is asked to play things cool during a spy mission to rescue his True Love from East Germany. However, he acts in general like a inexperienced goof and can't help but stare at her the entire time like a puppy dog. And, oh yeah, his True Love gets shot and killed by the end of the book. So what, then, was the point of it all? In another case, Seb is trying to meet up with the Other True Love of His Life and gets suddenly called back to England to deal with the drug planting crisis. He tries to call his True Love to explain why he won't show up at their restaurant date, but the phone is busy and so he can't contact her. If only there was some technology that would allow people to communicate in something other than real time--for example, imagine the possibilities for human history if wood pulp could be pressed into a flat shape so that marks and letters might be drawn on it to communicate ideas to other people who might not be physically present. In other words, it never occurred to Seb to write her a quick note and have it delivered to the restaurant or to his daughter's school.
#5 New characters and subplots get introduced despite having no reason to exist
One example would be Seb's temporary love interest, who quickly gets killed off. Another would be a minor subplot about Harry's publisher merging with a bigger press and then going independent again. Why are these subplots there when they contribute nothing? The best example is the inclusion of Margaret Thatcher as a character. Thatcher does nothing in the book except have a few conversations with main characters, and those characters then walk away thinking to themselves: "Hey, this Thatcher might become Prime Minister some day." We get it, She becomes Prime Minister someday. By the fifth or sixth time we get reminded of this, we have to wonder why we should care.
Mr. Archer should read Mark Twain's classic piece, "Fenimore Cooper's Literary Offenses." Archer violates a number of Twain's rules for literature, most notably:
2. They require that the episodes in a tale shall be necessary parts of the tale, and shall help to develop it.
4. They require that the personages in a tale, both dead and alive, shall exhibit a sufficient excuse for being there.
5. They require that when the personages of a tale deal in conversation, the talk shall sound like human talk, and be talk such as human beings would be likely to talk in the given circumstances, and have a discoverable meaning, also a discoverable purpose, and a show of relevancy, and remain in the neighborhood of the subject at hand, and be interesting to the reader, and help out the tale, and stop when the people cannot think of anything more to say.
6 of 6 people found the following review helpful.
You have to suspend reasoning and common sense to make the plots believable
By missstsomewhere
Spoiler alerts: I liked it but some of the plots left me scratching my head. For instance, the courtroom where they are defending Hakim. No one brings up the most important issue, which is he was just about to merge with another bank and one of the stipulations is never been in jail. Well he was in jail so was it supposed to be never been convicted of a crime? They also don't mention the merger at all in court and how advantageous it would be to their many competitors if the bank didn't merge. Then there's Hakim and the tapes. They tell him that he'd be in trouble if he presented his evidence because you can't record someone without them knowing it. But the tape they are submitting recorded him without him knowing it so it'd be inadmissable. If he did know he was being recorded, he certainly wouldn't incriminate himself on a recorded line at his bank. There are a few more (Virginia Fenwick and the whole baby debacle, there were paternity tests back then). I feel this one was a bit garbled with too many plots that you are forced to suspend common sense to believe.
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